| Jo Jo Zep and the Falcons | |
|---|---|
Jo Jo Zep and the Falcons, Melbourne International Music and Blues Festival, February 2004 Left to right: Joe Camilleri, John Power, Wilbur Wilde |
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| Background information | |
| Also known as | Jo Jo Zep and His Little Helpers, Jo Jo Zep |
| Origin | Melbourne, Victoria, Australia |
| Genres | Blues, rock, R&B, soul, reggae |
| Years active | 1975–1984, 2001, 2003–2004, 2008, 2011 |
| Labels | Oz, EMI, Mushroom, Rockburgh, Columbia, Warner Bros. Australia |
| Associated acts | The Pelaco Brothers, Company Caine, Daddy Cool, Ol' 55, The Black Sorrows |
| Past members | |
| see members list below | |
Jo Jo Zep and the Falcons (initially called Jo Jo Zep and His Little Helpers) were an Australian blues and rock music band which featured singer, songwriter and saxophonist, Joe Camilleri (aka Jo Jo Zep). The band was active in the late 1970s and early 1980s, and had several Australian chart hits, including "Hit and Run", "Shape I'm In" and "All I Wanna Do". The Falcons dissolved in 1981 and the group's biggest Australian hit, 1982's "Taxi Mary", as well as the New Zealand top ten hit "Walk On By", were both credited simply to Jo Jo Zep. In 1983, Camilleri and other members of the Falcons formed The Black Sorrows.
The late 1970s line up of Camilleri, Jeff Burstin on guitar, Tony Faehse on guitar, John Power on bass guitar, Wilbur Wilde on saxophone and Gary Young on drums, reunited in 2001, and again in 2003 to release a new album. In 2007, the group was inducted into the ARIA Hall of Fame. For Young, it was his second induction in a row, his 2006 induction was as a member of 1970s rock group Daddy Cool. Further reunion concerts occurred in 2008 and 2011. According to Australian rock music historian, Ian McFarlane, the group was initially a "funky, energetic R&B band" which "infused the music with large dose of reggae rhythms" and later was a "brass-driven, latin-styled big band".
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In late 1975, Jo Jo Zep and the Falcons (initially as Jo Jo Zep and His Little Helpers) were formed in Melbourne after Ross Wilson (ex-Daddy Cool, Mighty Kong), who was waiting out his recording contract, had turned to producing other artists for the label, Oz Records. He decided to produce a version of Chuck Berry's "Run Rudolph Run", as a one-off Christmas single for Mushroom Records. Contractually, Wilson could not perform the vocals himself, so he asked his friend, Joe Camilleri (ex-The Pelaco Brothers with Stephen Cummings) to sing and play on the recording. Camilleri's nickname was Jo Jo Zep, so the group was named Jo Jo Zep and His Little Helpers. The line-up included bass guitarist, John Power (ex-Foreday Riders).[1][2][3]
To promote the single, Camilleri and Power formed a more permanent blues and rock music band. Power had relocated from Sydney to Melbourne to join Company Caine for an album which Wilson was producing. However Company Caine, which also included guitarist, Jeff Burstin, and drummer, John McInerney, had soon separated. Wilson suggested that all three team up with Camilleri to perform "Run Rudolph Run" as part of a Christmas show at the Myer Music Bowl. The song also marked Camilleri's first appearance on Countdown – the Australian national TV pop music series.[4] After the Christmas performances, they added a second guitarist and vocalist, Wayne Burt (ex-Rock Granite) and Daddy Cool's drummer Gary Young replaced McInerney. The band renamed themselves as Jo Jo Zep and the Falcons, with the Falcons part referencing Camilleri's Maltese background.[1][5] Camilleri had wanted his former band mate, Cummings, to join as lead vocalist – Cummings declined and later formed The Sports.[4]
I wasn't meant to be the lead singer of the band. My whole idea was to play the saxophone and I really wanted Stephen Cummings to be the singer, 'cause we were really great mates but for whatever reason he bowed out after just a couple of rehearsals. We had a full list of songs by Wayne Burt and that really made the difference for us. I wasn't writing any songs really and I thought Wayne was a much better singer than me as well but he didn't want to be the lead singer, so we sort of shared it around for a little while. – Joe Camilleri.[6]
Jo Jo Zep and the Falcons signed with Oz Records and, in July 1976, released their first single, "Beating Around the Bush". The track was written and sung by Burt and peaked at No. 73 on the Australian Kent Music Report Singles Chart.[7][8] The song was also one of two tracks by the group on Wilson's soundtrack for the feature film Oz (1976).[9] The follow-up single was a cover of Otis Redding's "Security" sung by Camilleri, which peaked at No. 98.[8] In February 1977, the band released their debut album, Don't Waste It, which was produced by Wilson and contained both singles. The album featured lead vocal turns by Camilleri, Burt and Power. The songwriting was mostly by Burt, with a few cover tunes, and one song by Camilleri. Although the intent was to be a serious R&B band, the musical direction was never set in stone.[1][5]
We started off with no idea at all. We pretty much threw all the stuff in the pot and went on playing. It was a case of demand driving it. It took off like a rocket. We got more work than we could travel away, but the thing took on a life of its own. The thing with the Falcons, we never actually changed our style that much. We just accumulated new ones. It turned into a stratified thing 'cause we were mixing everything together all the way through. There was no plan. – John Power.[6]
Burt left soon after the release of the debut album, and was replaced by guitarist Tony Faehse (ex-Musick Express, Alvin Stardust).[1][2] Camilleri felt "[t]hat changed the band a lot. Tony wasn't an R&B/Blues player. He'd only been in Australia a year or so and had more of that big 'rock' sound, a fiery guitar player, and was a great foil for Jeff Burstin who was from a country blues background, so they complimented each other."[6] Burt went on to join various groups including Eternal Struggle, Rock Doctors and Hey Gringo.[2] In June 1977, saxophonist Wilbur Wilde (Ol' 55) joined to complete the 'classic line-up' of Camilleri, Burstin, Faehse, Power, Wilde and Young.[1][5]
Wilson also produced the band's second album, Whip It Out, which was released in October 1977, but the album failed to chart, and the associated single, "(I'm in a) Dancing Mood", peaked at No. 90.[8] To capture the energy and spontaneity of a live performance, their next release was a five-track 12" extended play, Loud and Clear, which reached No. 53 on the Singles Chart in August 1978.[8] Its lead track "The Honeydripper" receiving most of the airplay. Fellow musician, Paul Kelly, recalled their early performances, "[t]hey did house-rocking, roof-raising versions of classic and obscure soul, R'n'B and reggae songs... They waved their guitars and saxophones in the air, did everything they could to get over to the crowd."[10] Loud and Clear was followed by a mini-LP, So Young, which reached No. 29 in November.[8] The band started to pick up a number of international supporters, including Graham Parker and The Rumour and Elvis Costello and The Attractions. Costello recorded a cover version of "So Young" which appears on Out of Our Idiot (1987).[1][5]
In 1978, Jo Jo Zep and the Falcons signed with Mushroom Records after Oz Records had folded. By that time the group had included another musical direction: reggae. Mushroom was eager to connect with the 'new wave' in England and brought over Peter Solley, an English producer and latter-day Procol Harum member, to produce another Mushroom artist, The Sports.[5] One night Solley saw Jo Jo Zep and the Falcons perform, and on the strength of their new song, "Shape I'm In", asked to produce the group. The first single, "Hit and Run", from the album, Screaming Targets, was pop reggae and reached No. 12 on the charts in August 1979.[5][8] Camilleri said he "never thought 'Hit and Run' would do anything but maybe the lick was infectious enough – though as a song it was a bit stupid – but it got us a deal all over the world. It was a wacky thing and all of a sudden we were away in a different arena".[6]
The band toured the United States, the United Kingdom and the rest of Europe, including performances in The Bottom Line club in New York, and at the Montreux Jazz & Blues Festival. With Burt having left the band, the songwriting was now being looked after by Burstin, Camilleri, and Faehse working together as a trio, and Camilleri was the group's lone front man. The singles continued with "Shape I'm In", "Puppet on a String", "I Will Return" and another album Hats Off Step Lively (August 1980). In July 1980, the band had been the opening act at the Oakland Coliseum, in San Francisco, supporting Journey, Black Sabbath and Cheap Trick. Camilleri told a hostile audience, which was throwing objects (including eggs) at the group, "Is it any wonder your parents lost the Vietnam War – you can't even shoot straight!"[4] After the international experience the band started to lose some of its impetus. In June 1981, Camilleri pulled the band off the road. Young and Power joined Rock Doctors, and Wilde formed his own band, Big Kombi.
We could have done it if we'd kept punching, but the band actually disintegrated, basically, looking back, because we were too tired. We should have just taken a year off. But what happened was we were right at the end of the period when, in order to flog a record in the States, you were virtually out promoting the one you had out the year before. So it was a totally asynchronous situation. We were having to dig into what we viewed as archives when we went out of the country. So we were having to promote Screaming Targets when we already had Hats Off Step Lively out here. It was at a time of the most intense development of original material in the band's life so the result was extremely disruptive. – Camilleri[6]
Camilleri, Burstin and Faehse gathered a new rhythm section featuring bassist Simon Gyllies (Mondo Rock), and drummer Freddie Strauks (Skyhooks) and started exploring Latin American rhythms, particularly salsa. The 'Falcons' moniker was dropped, and they were known simply as Jo Jo Zep. The line-up had expanded to Camilleri, Burstin, Gyllies, Bill Canty on keyboards, Jane Clifton on vocals, Steven Ewart on brass, Des McKenna on drums, Keith Pereira on percussion, Ray Pereira on percussion, James Valentine on saxophone and Paul Williamson on brass.[1]
Then I had a big hit with "Taxi Mary" but that was without the band, and "Walk On By", but it was too late really. I couldn't see myself playing in an 11 piece salsa band. It was only a minute in my life. I enjoyed the band and enjoyed the tour but I realised I didn't have my friends behind me anymore. I had to start again. Then I reunited with half the band at the start of what became The Black Sorrows. – Camilleri[6]
The Jo Jo Zep album, Cha, was released in October 1982 with the single "Taxi Mary" reaching No. 11 on the Australian singles chart.[8] While their cover version of "Walk On By" peaked at No. 6 in New Zealand in June 1983.[11] The only credited band members on Cha were Camilleri, Burstin and Gyllies. Another Jo Jo Zep single, "Losing Game", was issued in 1983, together with ex-Split Enz member, Eddie Rayner, Camilleri produced the single.[5] "Losing Game" was released in the US but was the last single by that version of the group.[5] In March 1984, Jo Jo Zep and the Falcons line-up of Burstin, Camilleri, Power, Wilde and Young reunited for an Australian tour to promoted the compilation album, Sound of Jo Jo Zep and the Falcons which had been issued in December 1983.[1] This line-up issued a single, "Shape I'm In – Live" in 1984.[12] Since 1983, Camilleri has led various musicians in The Black Sorrows, which has included Falcons' alumni: Burstin, Burt and Young as official members; and Faehse and Wilde as session musicians on recordings.[13] According to Australian rock music historian, Ian McFarlane, Jo Jo and the Falcons were initially a "funky, energetic R&B band" which "infused the music with large dose of reggae rhythms" and later was a "brass-driven, latin-styled big band".[1]
In 2003, Jo Jo Zep and The Falcons released a new studio album, Ricochet – it was instigated by Neil Mumme, organiser of the annual Great Southern Blues & Rockabilly Festival held annually in Narooma.
In '97 Joe came and blew the horn on the Johnnie Johnson tour, and because (bass player) John Power was also on tour (with his band The Hippos as the late Johnson's regular Australian backing band), I said to Joe "What about we get the Falcons back for a show?" and it was like the Joe Walsh line, "When Hell freezes over" but I chipped away at it for four years and they finally did it in 2001, the first show (Jo Jo Zep) had done in twenty years, and there was such a buzz out of that I said to them, "Why don't you make a record?" - Neil Mumme[6]
The album was recorded at Camilleri's Woodstock Studios in Melbourne and released in September 2003. It was performed by the 'classic' 1977–1981 line-up: Camilleri on vocals and saxophone, Burstin on guitar, Faehse on guitar, Power on bass guitar, Wilde on saxophone, and Young on drums.[5] Early Falcons' member, Burt, also contributed by writing two new compositions. After their appearance at Narooma they supported the album's release with a brief national tour into early 2004.[14]
They reunited again for a single gig in December 2008, with Camilleri, Burstin, Faehse, Wilde and Young, and Joe Creighton (of The Black Sorrows) replaced Power on bass guitar.[15] In September 2011, another reformation occurred, for a one-off performance to celebrate their 35th anniversary, with the line-up of Camilleri, Burstin, Faehse, Power, Wilde and Young.[16]
On 18 July 2007, Australian Recording Industry Association (ARIA) inducted Jo Jo Zep and the Falcons into its Hall of Fame.[17] Also inducted that year were Hoodoo Gurus, Marcia Hines, Frank Ifield, Radio Birdman and Brian Cadd.[17] According to Camilleri, "I always thought that I was the weak link in the band, that I wasn't good enough to be in it. I had some great moments, moments that I didn't deserve, and was just happy to tag along".[6] Prior to the induction, Camilleri said "I'm chuffed. I think the Falcons did play a part in the Australian music explosion ... I'm happy it's been acknowledged. The Falcons were a band out of time. What we played wasn't what was being played. It was an R&B/reggae sound in the time of flares and funk and pop music. Somehow we slotted in."[17] At the induction ceremony, Mark Seymour declared that Jo Jo Zep and the Falcons were an inspiration for the formation of his band, Hunters & Collectors.[18] For Young, it was his second induction in a row, his 2006 entry was as a member of Daddy Cool.[19]
Arranged chronologically:[1][12][20]
| Releases | ||
|---|---|---|
| ↙Studio albums | 8 | |
| ↙Live albums | 1 | |
| ↙Compilation albums | 3 | |
| ↙EPs | 3 | |
| ↙Singles | 18 | |
| Year | Album details | Chart peak positions | Certifications (sales thresholds) |
|
|---|---|---|---|---|
| AUS [8] |
NZL [11] |
|||
| 1977 | Don't Waste It | — | — | — |
Whip It Out
|
— | — | — | |
| 1979 | Screaming Targets
|
— | 25 | — |
Jo Jo Zep and the Falcons
|
— | — | — | |
| 1980 | Hats Off Step Lively
|
— | — | — |
| 1981 | Step Lively
|
— | — | — |
| 1982 | Cha (as Jo Jo Zep)
|
— | 33 | — |
| 2003 | Ricochet
|
— | — | — |
| "—" denotes releases that did not chart and/or did not receive certification. | ||||
| Year | Album details | Chart peak positions | Certifications (sales thresholds) |
|
|---|---|---|---|---|
| AUS [8] |
NZL [11] |
|||
| 1983 | Sound of Jo Jo Zep and the Falcons
|
— | — | — |
| 1997 | Shape I'm In: The Complete Anthology
|
— | — | — |
| 2007 | I'm in a Dancing Mood: The Best of Jo Jo Zep and the Falcons
|
— | — | — |
| "—" denotes releases that did not chart and/or did not receive certification. | ||||
| Year | Album details | Chart peak positions | Certifications (sales thresholds) |
|
|---|---|---|---|---|
| AUS [8] |
NZL [11] |
|||
| 1979 | Let's Drip Awhile
|
— | — | — |
| "—" denotes releases that did not chart and/or did not receive certification. | ||||
| Year | Album details | Chart peak positions | |
|---|---|---|---|
| AUS [8][21] |
NZL [11] |
||
| 1977 | Loud and Clear
|
53 | — |
| 1978 | So Young
|
— | — |
| 1981 | Dexterity
|
— | — |
| "—" denotes releases that did not chart and/or did not receive certification. | |||
| Year | Title | Peak chart positions | Album | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| AUS [8][21] |
NZ [11] |
|||||||||||||
| 1975 | "Run Rudolph Run" (as Jo Jo Zep and His Little Helpers)[A] | — | — | Non-album single | ||||||||||
| 1976 | "Beating Around the Bush" | 73 | — | Oz – A Rock 'n' Roll Road Movie – Soundtrack | ||||||||||
| 1977 | "Security" | 98 | — | Don't Waste It | ||||||||||
| "(I'm in a) Dancing Mood" | 90 | — | Whip It Out | |||||||||||
| 1978 | "The Honeydripper"[B] | 53 | — | Loud and Clear | ||||||||||
| "So Young"[B] | 48 | — | So Young | |||||||||||
| 1979 | "Hit and Run" | 12 | — | Screaming Targets | ||||||||||
| "Shape I'm In" | 22 | 41 | ||||||||||||
| 1980 | "All I Wanna Do" | 34 | — | Hats Off Step Lively | ||||||||||
| "Puppet on a String (Let Her Go)" | 53 | — | ||||||||||||
| "I Will Return" | 91 | — | ||||||||||||
| 1981 | "Sweet" | — | — | Dexterity | ||||||||||
| "But It's Alright" (US release) | — | — | ||||||||||||
| "Gimme Little Sign" (US release) | — | — | ||||||||||||
| 1982 | "Taxi Mary" (as Jo Jo Zep)[C] | 11 | — | Cha | ||||||||||
| 1983 | "Walk On By" (as Jo Jo Zep)[C] | 55 | 6 | |||||||||||
| "Losing Game" (as Jo Jo Zep)[C] | — | — | ||||||||||||
| 1984 | "Shape I'm In" (live) | — | — | Sound of Jo Jo Zep and the Falcons | ||||||||||
| "—" denotes releases that did not chart or were not released in that country. | ||||||||||||||